“Promising to someday write more than Twitters”
The Underwater Cavern, by Michael Land. From Lucasarts and The Dig, the novel-soundtrack-adventure game crossover that didn’t work the way everyone thought it would.
You can’t fault it for its ambition, though, and it never hurts to have music that makes you feel truly like being lost on an abandoned, alien world.
I swear to God, Youtube is like a Rorschach test. I can’t help listening to this song, seeing how these guys are smirking playfully, and thinking that it has got the most filthy subtext ever.
“Cheesecake, cheesecake, munchin’ on the cheesecake gobble-gobble cheesecake.“
And hey, Bing Crosby gets in on it… that has to tell you […]
This is the sound of a miraculous, impossibly-huge magical tree that grows in the middle of a blastic arctic wasteland, bringing light and warmth to all who find it.
And this is the sound of someone showing up to mess with it, and then you absolutely wrecking them.
Thank you, Jeremy Soule; thank you, Icewind Dale.
(Tracks: Kuldahar […]
The Simple Life, by Jerry Martin, from The Sims.
All’s Well, by Jeremy Soule, from The Elder Scrolls: Oblivion.
So I'm done having killer mysterious headaches and surprising personal calamities and getting doubly suprising promotions. I Twitter now (peep that HA HA HA see what I did there) and I'm back to blogging, so it's now officially more than you can stand.
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